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Want more? Here’s everything we recommend this month: Music, Visual Art, Literature, Performance, Film, Food.
Ginger Root
Nov 4–5
Once upon a time, Ginger Root’s DIY visionary Cameron Lew told Atwood Magazine he hasn’t considered working with an outside producer because each idea he has “moves so fast that I’m afraid if I lose momentum, then the whole song is going to go away.” Lew’s frantic creative energy is apparent in most everything he puts out. Ginger Root’s most recent full-length, 2024’s SHINBANGUMI, was accompanied by a 20-minute mockumentary about a struggling video producer in 1987 Japan who finds the courage to start his own production company. His live show is no exception. Rounded out by a jumpsuit-clad video-effects specialist wielding a newscast-grade camera for live video mixing, a Ginger Root show is a multimedia delight where every aspect is both unexpected and essential. Lew’s quirky Huntington Beach outfit performs as a quartet (gotta count the cameraman), and if you showed up to Japanese Breakfast’s ZooTunes show in September, for which Ginger Root opened, you already get the draw. Musically, Lew and co. zip between bedroom city pop, goofball soul, and jammy, Mattson 2–esque jazz, all buoyed by Lew’s sketch-comedy banter and nasty electro-slide-whistle riffs. (Crocodile, 8 pm, all ages) TODD HAMM
Triathalon, YUNGMORPHEUS
Nov 5
When Triathalon’s 2014 debut, Lo-Tide, came out, beach-goth rock arrangements and whammy bar surf-guitar work were their calling card, but soon, any coarseness in tone was smoothed out like fine-grain beach sand. By the time 2018’s Online came around, keyboards and a drum machine had entered the chat, and we were left with the suave, breathy, post-chillwave beats we would come to rely on. Their guitars had become seductive garnish, and cinematic postcoital shower vibes were on the menu. Fast forward to 2025, and the only thing remaining in the New York trio’s creative story arc was, you guessed it: existential dread. The band has said their newest effort, Funeral Music, answers the growing question of what sort of vibe their memorial services would put out, and interestingly enough, the tracks find the band leaning back into their more foundational rock and specifically shoegaze impulses. (Barboza, 7 pm, 21+) TODD HAMM
Freakout Festival
Nov 6–9
You may not know most of the lineup, but if you’re agile enough to hit up multiple rooms per night and you Do Your Own Research™, you can discover several new artists—local and foreign—who’ll long-term enrich your life. That’s the magic of Freakout Fest, now in its 13th year. With 70 acts performing at nine venues in Ballard and Fremont, Freakout promises a diversity of sonic adventures. Japanese noise-rockers Melt-Banana are as wild as ever, 32 years on. Portland’s Møtrik honor their name with klassik, ekstatik krautrock accelerations. Switzerland’s L’Eclair—some of whose members moonlight in Zambian rock gods W.I.T.C.H.—elegantly and cinematically funk you up (and down and all around) and will make you feel very sophisticated. Seattle shoegazers glass egg will unveil songs from their new, serenely misty visions & ecstasies album. The industrial-electronic group Chalk will bring their foundation-shaking capabilities all the way from Northern Ireland. My can’t-miss pick is Mexican psych-rock group Diles Que No Me Maten, who purvey an eerie, mysterious strain of post-punk. I could go on, but I don’t want to annoy my editor. [Ed. note: I did in fact let Dave go on—check out his 20 (!) Freakout Festival picks at TheStranger.com.] (Various venues and times, 21+) DAVE SEGAL
ECSC: 20th Rare Soul Weekender with Bernadette Bascom
Nov 7
In the early and mid 1980s—when grunge was merely a sprout in the dirt—Bernadette Bascom, the daughter of civil rights activist Rev. Marion C. Bascom, was keeping R&B and soul flowing through the Pacific Northwest with jams like “I Don’t Wanna Lose Your Love” and “Seattle Sunshine.” This is just a small fraction of what makes Bascom a local legend, along with being a member of funk groups Acapulco Gold and Robbie Hill’s Family Affair, becoming the first artist signed to Stevie Wonder’s Black Bull label, and teaching singing lessons across the region for decades. Long-running DJ collective Emerald City Soul Club will kick off their 20th annual Rare Soul Weekender with a live performance from the local legend, along with DJs spinning heat from their rare vinyl collections. (Black Lodge, 9 pm, 21+) AUDREY VANN
Freddie Gibbs & the Alchemist, Mavi, Sven Wunder
Nov 7
Individually, Freddie Gibbs and the Alchemist are two of the finest remaining practitioners of classic rap orthodoxy. The two have shown that hard-bodied street rhymes (Gibbs) and sample-based, neck-snapping beats (the Alchemist) never really went out of style, it’s just that fewer people were doing them hard enough. The Gary, Indiana–bred emcee is also hilarious. On record, Gibbs is quick to rap about “smashing like mashed potatoes,” and lament forgetting how many kids he has, like he did between songs at his Bumbershoot set last summer. For his part, the Beverly Hills–raised Alan Daniel Maman, aka the Alchemist, has produced for an enormous chunk of the rap pantheon, ranging in style from Action Bronson to Dilated Peoples, Schoolboy Q to Earl Sweatshirt. Of late, his penchant for album-length collabs has resulted in more than a few gems, but most notably, 2020’s Alfredo with Gibbs, which was nominated for Best Rap Album at the following year’s Grammys. This year’s sequel, Alfredo 2, is another notch in the duo’s illustrious win column. (Showbox SoDo, 8:30 pm, all ages) TODD HAMM
Reyna Tropical
Nov 8
Fabiola Reyna has mastered both the agile guitar picking of several vintage Southern Hemisphere subgenres and the art of homage, to turn tragedy into enduring legacy. Originally one half of Reyna Tropical, Reyna suddenly found herself the sole remaining band member when, in 2022, her musical partner Nectali “Sumohair” Díaz died in a scooter accident. After much contemplation, Reyna decided to carry on, keeping the moniker as tribute. Early RT EPs featured equal guitar/vocal songwriting and MPC input in the vein of a sunny Chico Mann/Captain Planet collab, and while Reyna’s 2024 solo debut, Malegría (a fitting mashup of the Spanish words for “bad” and “happiness”), does contain a dose of dance flare à la Bomba Estéreo, the album features her brilliant soukous-inspired, high-register guitar flourishes and lively dance BPM, with moments of more loping chicha tempos, all while honoring the band’s original motto, “Queer love and Afro-Mexico.” (Nectar Lounge, 8 pm, 21+) TODD HAMM
Shudder to Think, Zwei Null Zwei
Nov 8
Shudder to Think made the rare leap from DC punk stronghold Dischord to major label Epic (thanks to an Eddie Vedder endorsement), but it was hard for indie die-hards to be mad at them in those nutty, post-Nevermind ’90s. Bands as weird and audacious as Shudder to Think deserved to get a shot at next-medium-sized-thing status, damn it. Despite the Dischord association, STT were never punk, per se. Rather, they were actually a strange mix of math rock, post-punk, and glam rock, which Craig Wedren then launched skyward with a voice that swooped from delicate falsetto to powerful roar like an American Freddie Mercury. STT really bloomed on 1992’s Get Your Goat, a dazzling collection of songs that swerved unpredictably, flexed impressive guitar muscles, and invented new forms of rock beauty, thanks largely to Wedren’s demonically angelic vibrato. The 1994 Pony Express Record solidified STT’s status as quirky genii; its slanted and enchanted rock left Pavement sounding like flat-footed normies. Seeing a reunited Shudder to Think—one of the featheriest heavy bands that America’s produced—in 2025 seems like an improbable yet necessary dream. (Barboza, 6:30 pm, 21+) DAVE SEGAL
The Saints ’73-’78
Nov 9
Who was the first punk qua punk band? It’s an argument that can last for days, but Australia’s the Saints can legitimately contend for that honor. Although the Ramones’ first LP came out months earlier than the Saints’ 1976 debut single, “(I’m) Stranded”/“No Time,” both groups were germinating their fast and noisy songs synchronously on different continents in ’73 and ’74. Whatever the case, the Saints’ early tunes have aged very well, and new generations of punk-rock lovers still hunger to hear them played live. Ergo, this tour. Mudhoney front man Mark Arm’s replacing the Saints’ late, raw-throated singer Chris Bailey, and though his voice isn’t as adenoidal, Arm has the pipes and agitational energy to do these snarling anthems justice. Thankfully, original guitarist/songwriter Ed Kuepper’s still kicking ass, and he’ll be joined by OG Saints drummer Ivor Hay, ex–Birthday Party/Bad Seeds mensch Mick Harvey, and bassist Peter Oxley. Expect middle-aged folks moshing to the swashbuckling punk nuggets of (I’m) Stranded, Eternally Yours, and Prehistoric Sounds, plus singles from this vital era that have never been performed in North America. (Neptune Theatre, 8 pm, all ages) DAVE SEGAL
Doechii
Nov 10
All hail Doechii the don, Doechii the dean, Doechii supreme, the Swamp Ruler! Unless you’ve been living under a rock for the last two years, I feel confident in assuming that you’re probably already familiar with the Grammy Award–winning rapper, singer, and fashion icon and her insanely brilliant, inventive 2024 mixtape, Alligator Bites Never Heal. In that case, maybe you, too, shed a few tears over her historic Grammys performance, cackled over the sitcom-inspired “Denial Is a River” video, and braved Ticketmaster to secure tickets to the Seattle stop on her Live From the Swamp Tour. The Swamp Princess herself has decreed a school-inspired dress code for the tour and proclaimed that the “runway starts at the venue,” so I suggest treating this assignment like the Met Gala and taking a cue from Doechii’s chic, menswear-inspired personal style—time to start raiding the thrift stores for sweater vests, pleated skirts, blazers, and button-downs! (WAMU Theater, 8 pm, all ages) JULIANNE BELL
Patti Smith
Nov 10
Patti Smith (who will also be in town the night before for a book event) is the punk poet laureate, a National Book Award–winning author, Instagram sensation, and overall national treasure. And, despite her status as an American icon, I am constantly in awe of her down-to-earth personality and approachability. In 2015, during the release of her second memoir, M Train, I caught Patti at a now-demolished U-District cathedral for a reading. To my surprise, the evening was delightfully unstructured, with acoustic songs, stories, and an unmoderated Q&A. Having now seen her on three different occasions, I’ve found that she brings that authentic, inviting energy to every show she plays. Smith will celebrate the 50th anniversary of her debut album, Horses, by playing the album in its entirety. My fingers are crossed that she’ll also perform her first single, “Piss Factory,” which also happens to be my go-to karaoke song. (Paramount Theatre, 8 pm, all ages) AUDREY VANN
David Byrne
Nov 11–13
When Byrne released Who Is the Sky? earlier this year, he posted a full-album listening party on YouTube. “Hello and thank you for listening to my record for the first time,” he said to the screen before the first track, in that David Byrne voice that is somehow awkward and stilted and completely charismatic. “Now, since this is the first time you’ve heard this record, there’s some tips I suggest: Be with someone you love, and cut some onions. Prepare a nice meal, together. Eat it when the record’s over.” He’s a delightful weirdo on stage and on screen, and one of the few boomer white men I still want to give a mic to. He won’t tour forever, so take advantage of this chance to see him. And you may ask yourself, “Well, how did I get here?” (Paramount Theatre, 8 pm, all ages) HANNAH MURPHY WINTER
Neko Case, John Grant
Nov 14
Good things come to those who wait, and for me, that good thing is Neko Case’s first album in seven years, Neon Grey Midnight Green. Between the breezy, Virginia Astley–esque “Winchester Mansion of Sound,” which is an ode to her dearly departed friend/collaborator Dexter Romweber, and the cinematic love song “Wreck,” the album is already in the running to be my favorite of the year. Before I had even heard the full album, I was immediately drawn to its cover, which features Case swathed in green fur beside a fallen chandelier, with a puff of smoke in her hand, evoking the 19th-century surrealist artists Leonor Fini and Leonora Carrington. The album was recorded at her home studio in Vermont—Carnassial Sound—and is her first produced by her alone. Case writes: “I’m proud to say I produced this record. It is my vision. It is my veto power. It is my taste.” She will support the new album alongside singer-songwriter John Grant (formerly of the Czars). (Paramount Theatre, 8 pm, all ages) AUDREY VANN
Seattle Bands Stand With Gaza: Mt Fog, Reverse Death, Westmoreland
Nov 16
Good cause/good bands alert. Seattle’s Mt Fog have morphed from the solo project of vocalist/musician/songwriter Carolyn B. into a trio featuring Afrocop drummer/Select Level keyboardist Andy Sells and bassist Casey Rosebridge. Carolyn’s kaleidoscopic vocals hint at the artful acrobatics of Kate Bush, Björk, and Sinéad O’Connor while the songs on their latest album, 2024’s Ultraviolet Heart Machine, cohere into compelling hybrids of emotion-laden synth-pop and funk. They should be much better known. Led by multi-instrumentalist Daniel Onufer, Reverse Death have become one of my favorite local rock bands, making psychedelic music that’s beautiful, languorous, and suffused with mystery. Their 2022 album, Stretching to Infinity, basks in a tranquil, sacred aura of liquid guitar chime-bliss that’s as devotional as German mystics Popol Vuh. The track title “Floating Delight” telegraphs its effect. The new Reflectors, Vol. 1 showcases Reverse Death’s affinity for gorgeous minimalist psychedelia à la Spiritualized, with hints of a more chill 21st-century Beach Boys. Seattle seldom produces music of this beatific nature, so treasure it, you ingrates. (Tractor Tavern, 7:30 pm, 21+) DAVE SEGAL
Julie Doiron, Black Belt Eagle Scout
Nov 16
Canadian singer-songwriter Julie Doiron is the only person on Earth who wrote a song about a dying grandma so catchy and affecting that it’s a Vivian go-to when a fool passes me the aux cord (Broken Girl is foundational for sad girls everywhere). A former member of the dreamy, punky Eric’s Trip, Doiron is a songwriter’s songwriter who has consistently released interesting folk-ish alternative music for three decades. She’ll share the stage with Black Belt Eagle Scout, or Katherine Paul, the Anacortes-born, Portland-based Indigenous singer-songwriter whose 2023 record The Land, the Water, the Sky, is a beautiful heart-ripper. Recommended for fans of Phil Elverum (Mount Eerie/the Microphones), who is musically and personally connected to both artists. (Vera Project, 7 pm, all ages) VIVIAN McCALL
Shrek Rave
Nov 21
The lords, ladies, and fairy-tale creatures of Far Far Away are gathering for a night of absolute bedlam in Shrek’s Swamp—regardless of his “KEEP OUT OGRE” signs. There will be costumes, a kaleidoscope of Shrek-meme visuals, and an EDM-ified Shrek soundtrack. People will be sipping on swamp juice. What’s in it? Nobody knows, but definitely a fuckton of alcohol. This is the Shrek Rave. Be warned: This is literally a rave. If you go into it thinking it’ll be a fun Shrek costume party like some of us did back in 2023 or whenever this party went on its viral national tour, you may be disappointed. That happened to me. Go expecting a sweaty, bass-thumping party with a pocketful of MDMA in a pair of donkey ears and you’ll have the time of your life. (Crocodile, 10 pm, 21+) NATHALIE GRAHAM
Built to Spill, Papas, Larry Yes
Nov 25–26
Built to Spill is the best thing to come out of Idaho since the potato crop. Doug Martsch has been rocking out Boise-style since ’92. In that sense, they’re a “legacy act.” But good songs never die, and There’s Nothing Wrong With Love and Keep It Like a Secret are timeless because they were never super on trend. Built to Spill always did its own thing. (But if you’re worried the new-ish songs from 2022’s When the Wind Forgets Your Name will ruin your precious nostalgia, even these “new” songs were written a long time ago.) The band is joined by Boise’s Papas and Portland’s Larry Yes, two artists so small that putting them on this bill with indie-rock legends is, like Built to Spill, rad, old-school scene love. (Neptune Theatre, 8 pm, all ages) VIVIAN McCALL
More
Sir Chloe, Venus & the Flytraps Nov 5, Showbox, 8:30 pm, all ages
Tomo Nakayama ‘Ocean’ Album Release Nov 7, Fremont Abbey, 7:30 pm, all ages
Belly: 30th Anniversary of ‘King’ Nov 9, Crocodile, 7 pm, 21+
Herb Alpert & the Tijuana Brass & Other Delights Nov 9, Benaroya Hall, 7:30 pm, all ages
TeZATalks, N3PTUNE, Pussy Willow, and Porcelain Nov 9, Barboza, 7 pm, 21+
‘Avatar: The Last Airbender’ Live in Concert Nov 15, Paramount Theatre, 7 pm, all ages
The Brian Jonestown Massacre, Federale Nov 15, Showbox, 8 pm, 21+
King Princess: The Girl Violence Tour Nov 16, Showbox SoDo, 8 pm, all ages
Boris: ‘Pink’ 20th Anniversary Tour Nov 17, Crocodile, 8 pm, all ages
Donnie Emerson & Nancy Sophia Rabbit Box Nov 19, 8 pm, all ages
Khruangbin Nov 19, Neptune Theatre, 8 pm, all ages
Piano Starts Here Presents: The Music of Sun Ra & Fletcher Henderson Nov 19, Royal Room, 7:30 pm, all ages until 10 pm
An Evening with the Residency in 3-D with Macklemore Nov 20, Showbox, 7:30 pm, all ages
Bryan Adams: Roll with the Punches with Pat Benatar & Neil Giraldo Nov 21, Climate Pledge Arena, 7:30 pm, all ages
Dean Johnson, Theo Lawrence Nov 21, Showbox, 8 pm, 21+
Tei Shi, Harmony Nov 21, Madame Lou’s, 6:30 pm, 21+
Heart, Cheap Trick Nov 23, Climate Pledge Arena, 7 pm, all ages
Oblé Reed, Parisalexa, and Esebree Nov 26, Neumos, 7 pm, all ages
Sarah McLachlan Nov 26, Paramount Theatre, 8 pm, all ages
Deep Sea Diver: Homecoming Concert Nov 28, Paramount Theatre, 8 pm, all ages
Seattle’s Tribute to The Last Waltz Nov 29, Neptune Theatre, 8 pm, all ages
The Mountain Goats Dec 3–4, Neptune Theatre, 8 pm, all ages
Early Warnings
SYML Dec 5, Moore Theatre, 8 pm, all ages
A John Prine Christmas with Jenner Fox Band Dec 9, Tractor Tavern, 8 pm, 21+
Smokey Brights: ‘Dashboard Heat’ Album Release Dec 11, Crocodile, 8 pm, 21+
Thunderpussy with Mike McCready Dec 11, Showbox, 8:30 pm, 21+
Earl Sweatshirt Dec 15, Showbox SoDo, 8 pm, all ages
David Benoit’s Christmas Tribute to Charlie Brown with Courtney Fortune Dec 18–21, Jazz Alley, various times, all ages
Jenny Don’t & the Spurs Pre-NYE Bash Dec 30, Tractor Tavern, 8 pm, 21+
Mudhoney Dec 31, Neptune Theatre, 9 pm, all ages
New Year’s Eve with Kenny G Dec 31, Jazz Alley, various times, all ages
The Residents Jan 10, Neptune Theatre, 8 pm, all ages
Cate Le Bon Jan 27, Neptune Theatre, 8 pm, all ages
Julianna Barwick with Mary Lattimore Feb 17, Crocodile, 8 pm, 21+
Cardi B Feb 22, Climate Pledge Arena, 7:30 pm, all ages
Suzanne Vega Feb 22, Neptune Theatre, 7:30 pm, all ages
